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16th-century_unknown_painters_-_Epiphany
Epiphany
​

January 6, 2021 

Lexington, Massachusetts

​

           He inquired of them where the Christ was to be born.

                                                           Matthew 2:4

​

Not until I went to bed did I remember

what day it was.

 

That afternoon you and I walked

near Punkatassett ("Broad Topped Hill")

just north of where the jail 

Thoreau spent a night in

used to stand.

We walked with our masks down,

through woods empty enough of human forms

to seem a pre-pandemic wilderness.

Our breaths, conspiring,

vanished in the cold.

 

Ponds and marshlands emerged

among the bare trunks of beech and oak.

The remnants of low stone walls 

still obeying their builders' first intentions 

drew near, then veered off 

on tangents bewildering to living eyes. 

They told us how the settlers who drove out 

the Natick (first namers, burners of woodland) 

kept cows from straying into sinkholes

hidden in the shadows. Also, separated

"ours" from "yours."

If there were any predators 

waiting out the prematurely fading light,

we guessed they'd emerge at nightfall to resume

their silent, fatal journey

irrespective of walls,

under star-glimmer.

 

It's easy to lose your way here, 

where tall trees, over years,

have replaced charred meadows, 

and trails and cart-tracks disobey

the compass rose's rigid dicta,

surrendering to the waywardness of human traffic

like stones in a wall to gravity. 

 

My satellite app showed us, from any adjustable sublunary distance,

our position in the world to the fraction of a minute,

and where, 

pinned on the maze of paths enmeshing

frozen pools and pits of hollow ice pierced with dry, broken reeds, 

we were to turn. But not of

the renegade bear or spotted bobcat or coyote

wandering by day.

 

These hills forget their history.

Road signs remember for them: 

our return to Lexington 

reversed the path the Bedford Minutemen took 

to the Old North Bridge.

 

It was nearly dark by the time we walked in the door. 

Checking your phone you said,  

"Something's happened."

 

On the little screen, people clinging to the Capitol façade.

 

Flags on the Hill. A Confederate flag.

 

Murmurs of a crowd under cloudy skies.

 

A bare-chested man wearing horns and a coonskin cap.

 

That evening we ate in front of the television,

just like when my family used to watch

Bonanza and Davy Crocket—our History Channel.

 

A woman dead.

Officers wounded.

Tear gas.

The National Guard marching off the screen.

Inside, someone with a video feed walking down a ransacked

hall to the Senate chamber, where deliberations

would resume.

 

We went to bed well before they ended 

where everyone expected when we set out

for Punkatasset. 

 

Lying in the dark, I asked myself,

Is this, at last, the step too far?

 

"See!"

 

See what?

 

My righteousness reached out to grab

lapels of empty air.

 

That's when I remembered what day it was.

Feast of "what's beyond"—

hidden, past understanding—"made 

apparent,"

manifest to the senses

if not to sense.

The day the Magi make it across the living room

to the stable under the tree, the day a traveling star 

reveals the promise of salvation, 

Messiah of the Chosen People, 

to the Unchosen. The day

a jealous king asks where to send his men

and ends up killing innocents.

 

Holy infant, tender and mild,

so unlike what the pagans led us to expect:

Zeus, an incinerating flash,

Dionysus, who made Agave his puppet to tear

Pentheus, her son, limb from limb

for refusing him worship.

Agave, mother 

brought to her senses by Cadmus, 

who told her to look at the sky

and then at what she held in her hands.

Brought to her senses, and to sorrow--

like the mother of Jesus, like all mothers,

eventually.

 

That's the trouble with epiphanies: we keep

praying for a savior and keep getting

kings—Infant Kings, Philosopher Kings, Kings of Kings.

Why do the nations pray

for a god to descend?

Remember Agave.

 

 

As for what the Fathers wanted, how could they know?

Any more than Joseph (kneeling with the shepherds,

just another onlooker) could know 

how this Son of Man he hoped to make

a builder of beds and roof-beams,

would stray into so different a road,

up to a broad topped hill

and a tree on which the hammerer

would be nailed?

 

How can anyone know?

It’s just your imagined nation.

 

Consent of the governed?

No oracle of entrails or bird flight can tell us.

Just a Ouija board

with 159,000,000 fingers resting 

on a planchette 

shaped

like a tear-drop,

a monocular eye scanning the alphabet

for binocular depths of meaning, 

pushed here and there from no beyond 

but from everywhere in 

the flat here and now. A fiction

made fact by an act of legerdemain 

we agree to take

for miracle.

 

Willingly, and in no other way,

must we suspend our disbelief.

 

A poet said this. Another, wandering in exile, sang

of a white rose, its petals unfurled in worship

unvarying and incessant around

the Transhuman. 

Love drives us toward it.

Its element is fire—the one that rises 

and burns

to be among the stars.

 

But even poets get it wrong sometimes.

Suspending disbelief is like holding your breath:

eventually, you gasp for air.

And Dante planted his rose in a lake of ice,

whose human forms, each visible

"as a straw in glass" beneath 

the frozen surface,

were, when living, the only reeds love

knew how to play—

little epiphanies of love, 

and envy and greed 

and anger.

You won't get the impurities out

unless you throw out the love with them 

and freeze it to death.

 

That night the Mystic Rose seemed as brittle

as a blossom dipped in liquid nitrogen.

 

I waited for a sign.

The atomic clock cast its numerals on the ceiling.

Listening to the whisper of satellites,

they told me the time for things to happen

was past.

They told me

I should have been asleep.

 

Your breathing, too.

 

Closing my eyes, I pictured how,

from a sky where satellites 

take the place of stars, this dark earth

might look as if it knew something, 

like a diamonded bride arrayed in slender, 

glowing strands 

that somehow arrive at gatherings of light.

 

Your breathing, near.

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